01Dead Comics SocietyBrand Identity + Event Identity02Club TattooIllustration03Haystack WinesBrand Identity + Packaging04Museum of FailureExhibition Branding + Experiential052B FarmingBrand Identity + Photography06Rabbit Hole WinesBrand Identity + Packaging07Tame ImpalaPoster Design + Illustration08Ashwood Tattoo StudioBrand Identity09Selected Experiments3D • Sculpture • Fabrication
Index — Selected WorkDEF Studios, Portland OR
01Album ArtCovers in motion02Key ArtCampaign key frames03Show PostersGig + event prints
Index — All GalleriesDEF Studios, Portland OR
A wall of logo marks designed by Dane Erik Forst
Capabilities · Logo & Identity Design

Brand
Identity

The smallest thing a brand owns, and the hardest working.

DisciplineLogo & Identity Design
FocusMarks, Wordmarks & Systems
StudioDEF Studios, Portland OR

Anyone can make a logo. A mark is the smallest thing a brand owns and the one that works the hardest: on a bottle, on a sign, stitched into a hat, etched into glass, and twelve pixels wide in somebody’s browser tab. These are the ones I keep coming back to.

Simple on purpose

A mark earns its keep by surviving. Shrunk to a favicon, blown up on a building, embroidered, foiled, sandblasted, or faxed by somebody’s uncle. If it only works at full size in full color, it is an illustration, not an identity.

Two Goats and the Goose logo in context
Hills Market Plus logo, shield monogram in Pantone blue
Summit logo, cyan mountain range mark
Casquatch logo in neon on a brick wall
Fortitude Cellars logo, serif wordmark with wine glass mark
Life Bytes Podcast logo, bubble lettering
Haystack Wines monogram in gold
LeCave logo pressed into a textured surface
Texas 28 athletic mark
Vallum logo, geometric monogram
Dead Comics Society circular emblem
Ashwood Tattoo Studio wordmark and crossed-axe mark

A mark, then a system

The logo is the door. Behind it sit the color, the type, the patterns, the photography, and the rules for how they behave together. That is the part that makes a brand feel like one thing across a shelf, a site, a truck, and a business card.

So most of these did not stop at a mark. They kept going into palettes, secondary marks, patterns, and the packaging and web work that carries them.

Grego and Co pattern system
Grego and Co logo, circular monogram on navy
Homes on Chain logo in mint on charcoal
Homes on Chain mark, outlined house and link
2B Farming logo, gold wordmark on deep green
Big Sky Dwellings logo, line-drawn cabin mark
Cimulated logo, neon sign treatment
Terra Tempo logo foiled on paper
Terra Tempo wordmark with compass mark
Terra Tempo logo on a book cover
Magnus Law logo, gold column monogram
Highgroove Guitar script logo

Made to be used

Every mark leaves here as real files. Vector originals, one-color and reversed versions, clear-space and minimum-size rules, and the formats your printer, your sign shop, and your developer will actually ask for. No surprises six months later.

The Landmark Agency mark on exterior building signage
The Landmark Agency monogram
Willtone Guitars logo, gold script monogram
MotoAuct logo, red block wordmark
Space Cats circular emblem
Van Van brand mark on a hand-drawn card
Two Goats and the Goose emblem
Weathered Wood logo on a timber surface
Space Cats lettering study

How deep does your brand go?

Anyone can make a logo. I am interested in building the stories, symbols, worlds, and experiences people carry with them. If that is the kind of thing you are after, we should talk.

Let's give it
a mark.

Bring me the business, the story, and the audience. I will bring you something they remember.

Discuss brand identity

or email daneforst@gmail.com